Conference Presentations
American Society for Theatre Research (2020 Annual Conference)
Theatre & Performance After Repetition
Working Session - Nothing Changes if Nothing Changes: Perseveranceand Perseveration in Activist Performance
The Canterbury Female Boarding School: Motivating andPerforming Nineteenth-Century Anti-Integration Protest
41st Annual Mid-America Theatre Conference
Character I Chicago, IL
Pedagogy Symposium #13 - The Future of Theatre Pedagogy
“Activating Autonomy: Using Freirean Pedagogical Frameworks and Student Choice for Instructional Design of Undergraduate Drama Courses”
American Society for Theatre Research (2019 Annual Conference)
Theatre's Many Publics I Arlington, VA
Working Session #20 - Social Dramas forFractured Publics: Crisis and Reconciliationin Activist Performance
“The 1967 Newark Riots: Staging Civil Disobedience and the Avant-Garde Performance of Radical Protest”
3rd Annual University of Washington Interdisciplinary Graduate Student Conference
Residue and Remnants: (re)Presenting Cultural Memory, Contamination, and Destruction I Seattle, WA
“The Elizabethan Boy Player and 21st Century All-Male Casting: Tracing the Lasting Utility of Male Actors in Female Roles for Shakespearean Productions”
40th Annual Mid-America Theatre Conference
Invention I Cleveland, Ohio
Theatre History Symposium #9 - Reconsidering Reception: Cognitive, Textual, and NeuralAudience Engagement
“Outgrowing Innovation: Montmarte’s Le Chat Noir and the Direction of the 21st Century Theatre”
Work In-Progress
Gender and Sexuality
- The "Andreia" of Grieving: Restrictions of Athenian Masculinity in Greek Tragedy
Protest and Social Activist Performance
- The Canterbury Female Boarding School: Motivating and Performing Nineteenth-Century Anti-Integration Protest
- Referential Radicalism: Performances of Protest in the #NeverAgain Movement
- Radical Vulnerability and Temporal Dissonance in the Work of Regina José Galindo
American Identity Politics
- Authenticity as American Identity in Royall Tyler’s The Contrast and Mercy Otis Warren’s The Group
- Sport and The Self: Constructing Identity in the Performance of American Superstardom